Also, I've been reading The Body Has a Mind of Its Own, which is fascinating. Not yet finished, but several things I've learned--vision and hearing are minor senses--what really occupies the brain are the senses of touch and movement. Vision wouldn't mean much without movement--and without intentionality. We construct the world in our heads as we move and find that what we see meets our expectations of what we'll feel. And so on.
But I would like a book that explains in evolutionary or scientific terms why we see things as beautiful. I don't mean that I want philosophical ideas of aesthetics--I just mean that I'd like to know why/how we ever got to be this way. What possible survival advantage could it have to be able to see the beauty of a sunset, for example?
But I would like a book that explains in evolutionary or scientific terms why we see things as beautiful. I don't mean that I want philosophical ideas of aesthetics--I just mean that I'd like to know why/how we ever got to be this way. What possible survival advantage could it have to be able to see the beauty of a sunset, for example?
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I once heard that the only thing that's universally considered to be beautiful is a rainbow--and the survival virtue of that is clear, at least!
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There is no universal for beautiful, for absolutely the reasons you have given. I often find beauty where someone else sees ugly too. I am not sure why that is, but I do believe not only are their evolutionary reasons for all things human, but that there can be reasons that we can't explain, that seem jump into the unknowable. Beautiful sunsets a perfect example. I don't understand a lot about evolutionary theory, and like most things there are more questions than answers. There is tentative research now about human face shape and standards of attractiveness around the world, and they are trying to tie that to mate choice and reproduction. I wonder where that will go.
And I think the idea of beauty only tells us about the person professing what they think is beautiful, and less about the object of beauty itself. Thanks!
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Other than that, my own observation is that exactly what we see as beautiful is culturally conditioned--but it seems that most cultures I've heard of have something they see as beautiful. And I definitely think that the schmaltzy v. grimy is probably from indiv. experience and culture combined. But there are lots of different thoughts on why and and how we see specific things as beautiful.
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Also, hugs and happy end of Saturday. :-)
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Awe & beauty, not entirely unrelated. I still don't have an answer, on either question. Just speculation. Maybe there isn't have a survival advantage for the individual--many characteristics are selected for on other bases, like sexual selection, which led to the development of the peacock's tail even though it can be a disadvantage for survival, because it gives a reproductive advantage. That doesn't explain the sense of beauty or awe, though. Maybe it's that it gives us that much more of a motivation to live?
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I hadn't thought of it that way--can you give an example? What kind of religious contexts?
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I've vaguely heard that Judaism doesn't focus much on life after death. Do you know if that's true?
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I guess that's the difference between awe-some & aw-ful!
From what I've read & heard, Judaism didn't deal much w/the idea of an afterlife until after the fall of the First Temple (the Temple of Solomon). The idea of a Messiah born of the line of King David originated during the Exile to Babylonia, or at least that's when it spread among the people, who were in intense despair & needed some source of hope. The Messiah is supposed to arrive (for the 1st time, of course!) heralded by the prophet Elijah, to bring an age of peace, the reestablishment of the kingdom of David, the return of all Jews to that kingdom, the rebuilding of the Temple in Jerusalem, & the resurrection of the dead. I'm not sure if that last one is included in all versions; some say all Jews will "have a share in the world to come," others say it's all righteous people.
Earlier writings refer to "shades" (of dead people) wandering in "She'ol" for eternity. She'ol doesn't seem to be a place of either pleasure or torment--pretty much neutral, the shades are just...there, & they don't seem to be the same thing as souls. There's not much description of either them or the place that I know of, but it's not something I've really looked into. On the other hand, there's also the concept that after death you go to either Gan Eden (the Garden of Eden) or Gehinnom (Gehenna), the equivalents of Heaven & Hell. I have the impression this idea is modeled after the Christian afterlife. It's definitely more recent & seems to be more folklore than anything else.
I'd agree that Judaism focuses mostly on life before death rather than after. It addresses practice much more than belief, & its laws are mostly about how to live in this world, not how to get to the next. It never occurred to me to associate awe w/death or its acceptance in a Jewish context--or, I suppose, any context. Including the examples you gave; I guess I don't think of it in terms of visual forms & imagery.
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It's interesting to see how religions borrow from other religions (of course a lot of Buddhist belief comes from various Hindu ideas dating from the same time periods that they grew up in Buddhism--and possibly a little going the other way). I think Christian borrowings from Mithraism and Germanic religions are well-known.
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I don't know much about Mithraism, & I'm not sure what you mean by "Germanic" religions. I think the whole "Yule" side of it comes from there, & a lot of the traditions, but that's not the same as the religion. I'm more familiar w/the Norse pagan beliefs--is there a lot of overlap?
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Mithrasim is what Zarathustra taught and was the religion of the Roman army, thus somewhat prominent at the time Christianity arose. I think some of the resurrection traditions may be echoed there too, but couldn't be more specific right now.